[네덜란드 여행33]헤이그 빌렘 5세 갤러리에 소장된 작품들 1편/Galerij Prins Willem V

 

 

Hafvijver 호숫가에 들어선 비넨호프/Binnenhof  국회 의사당 모리츠후이스 박물관

(2019년 6월 12일)

 

 

 

 

헤이그 시내 지도

 

 

 

 

 

오랑지 왕가의 윌리엄(빌렘) 5세가 1774년에 설립한 갤러리의 정문

 

이 곳에 전시된 작품은 근처에 위치한 유명한 마우리츠후이스 박물관의 소장된 컬렉션 작품으로

네덜란드를 대표하는 루벤스 슈텐, 포터와 반 혼토르스트의 작품들이 전시되어 있다.

 

 

 

 

 

갤러리와 맞붙어 있는 감옥 박물관 건물/Gevangenpoort

 

 

 

 

 

갤러리 정문을 지나서...

 

 

 

 

 

안으로 들어가니, 젊고 패기찬 윌리엄 5세가 우리를 반겨준다.

 

 

 

 

 

아주 소박한 개인집의 계단을 밟고 위로 올라가니...

 

 

 

 

 

Antichamber/갤러리 앞 작은 전시방

빈 공간없이 크고 작은 작품들이 빽빽하게 걸려 있다.

 

 

 

 

 

왼편을 올려다 보아도 역시 대가의 그림들이 다닥다닥 걸려있다.

 

 

 

 

 

 

 

 

 

 

Girl Reading, 1660/책을 읽는 소녀

by Claes Hals(클레스 할스: Haarlem 1628-1686 Haarlem)

 

 

 

 

 

Portrait of a Man/초상화, 1634

by Frans Hals(프란스 할스: Antwerp 1582-Haarlem 1666)

 

 

 

 

 

Self-Portrait/자화상, 1638

by Huygh Pietersz Voskuyl (휴이흐 보스큘: Leiden 1592- 1665 Amsterdam)

 

Huygh Voskuyl looks out at us with a frown, as if we have interrupted him at work.

But in fact this is simply what the artist saw reflected in the mirror when he painted

his self-portrait.  His straggly hair, unshaven cheeks and unkempt moustache lend 

this self-portrait  an air of informality unusual for portrait of the Dutch Golden Age.

 

Equally unusual if the wooden wall in the backgraound, which looks especially real

with its fine grain.  On it he has inscribed his signature and his age: 46

 

 

 

 

 

Company Making Music/친구와 함께 공연, 1665

 by Caspar Netscher (카스파 네쳐: Heidelgerg 1635-1684 The Hague)

 

 

 

 

 

The Feast of the Gods at the Wedding of Peleus and Thetis, 1638

펠레우스와 테티스의 혼인잔치에서 벌린 신들의 향연

by Abrahm Bloemaert (아브람 블러메르트: Gorinche 1566-1651 Utrecht)

 

In Bloemaert's painting of the wedding feast of Peleus and Thetis,

the happy couple are nowhere to be seen.  The real subject is the moment Eris,

the goddes of strife, throuws a golden apple inscribed with 'for the fairest' down to the table.

The supreme ruler Jupiter dares not judge himself and instead asks Paris to hand the apple

to either Juno, or Venus.  Paris chooses Venus, with her splendid pale back.

 

His judgement leads to a drmatic end to the feast, and ultimately sparks the Trojan War.

William V purchased this painting at an auction at the age of 23.  It was one of the last pieces

he acquired for his collectio, but with it he was adding a painting that brought an enduring word

of warning to rulers: look out for judgements like that of Paris, as they will only bring misery.

 

 

 

 

 

The Bookkeeper/회계 서기, 1720-1730

by Philip van Dijk (필립 반 다이크: 1680-1753)

 

 

 

 

 

Portrait of Maximillian of Austria, aged Three , 1530

3살된 오스트리아의 막실밀리안 초상화

by Jacob Seisenegger(야콥 사이세네거: Linz 1505-1567 Linz)

 

 

 

 

 

The Church of St. Andreas in Düsseldorf, 1667

듀셀도프의 성 안드레아스 교회

by Jan van der Heyden (반 하이든: 1637-1712)

 

 

 

 

 

Judith with the head of Holofernes

홀로페르네스의 머리를 들고 있는 유딧, 1726

by Philip van Dijk (반 다이크: 1680-1753)

 

 

 

 

 

Portrait of Anna of Austria, Aged Two, 1530

두 살 된 오스트리아의 안나 초상화

by Jacob Seisenegger(사이세네거: 1505-1567)

 

 

 

 

 

 

아담한 갤러리 내부 모습

 

 

 

 

 

Diana and her companions/다이애나와 친구들, 17th century

by Abraham van Cuylenborch(반 큘렌보흐: Utrecht c. 1610-1658 Utrecht)

 

 

 

 

 

 

 

 

 

 

 

 

 

The Imaginary City Square/상상의 도시 광장, 1614

by Henrick van Steenwick II (반 스텐비크: Antwerp 1580-1649 Leiden)

 

 

 

 

 

Winter scene/겨울 정경, c.1620-1625

by Gijsbrechyt Leytens(가이스브레흐트 라이튼스: 1586-1642)

 

 

 

 

 

The Fortune Teller/점쟁이, c.1650-1654

by Jan Steen (얀 스텐: 1625-1679)

 

 

 

 

 

 

 

 

 

 

Interior with Figures in a Picture Gallery, 1667-1672

갤러리 내부와 인물들

by Gonzales Coques(코케: Antwerp 1614-1694 Antwerp)

 

 

Pictures showing rooms full of paintings and other works of art are known as gallery painting

(kunstkamers).  It was a genre that flourished in 17th century Antwerp.  This particular gallery

painting is unusual since as many as twenty artists worked on it.

Each artist contributed one or more of the miniature paintings, co-ordinated by Gonzales Coques,

who also painted the figures in the foreground.  For a contemporary viewer of a group work like this,

it would have been great fun to see who could recognize the most masters.

 

 

 

 

 

Beach View/해변 풍경, 1683

by Abraham Storck(스토르크: 1644-1708 Amsterdam)

 

 

 

 

 

Landscape near Deventer/데벤터 근교의 풍경화, c. 1662-1663

by Meindert Hobbema(호베마)

 

 

 

 

 

Moorage/계류소, 1683

by Abraham Storck (스토르크: 1644- 1708 Amsterdam)

 

 

 

 

 

Still Life with Shells and corals/조개껍질과 산호 정물화, c.1690?

by Willem Kalf(윌렘 칼프)

 

 

 

 

 

Adam and Eve/아담과 이브, c.1680

by Marcantonio Franceschini(프란체스키니: Bologna 1648-1729 Bologna)

 

 

 

 

 

 

 

 

 

 

Still Life with Seafood/해물 정물화 , c. 1650-1670 (왼편)

by Abraham van Beyeren(반 바이예른: 1620-1690)

 

 

Flowers and Fruit/꽃과 과일 , 1670-1680

by Abraham Mignon((Frankfurt am Main 1640-1679 Utrecht)

 

There is so much to see in this floral still life by Abraham Mignon: flowers in full bloom,

overripe fruit and in the bottom left hand corner, two mice busy with an ear of corn.

Floral still lifes liek this were much loved in the 18th century: William V's great-grand-mother

Princess Henriette Amalia, had a number of floral still lifes by Mignon in her collection at

Oranienstein Castle in Diez, near Frankfurt.  These works later came into the possession of the

prince, who in 1775 broght the paintings from Oranienstein to The Hague for his Gallery.

 

 

 

 

 

Hunting Still Life/사냥 정물화, 1706 or 1708 (왼편)

by Jan Weenix(베닉스: Amsterdam 1642-1719 Amsterdam)

 

 

Portraet van Willem III, aged 10/10세의 윌렘 3세 초상화

by Abraham Ragueneau (라게노: London 1623-na 1681)

 

 

 

 

 

Allegory on the Memory of Stadholder Frederik Hendrik

with Portrait of his Widow Amalia of Solms, 1654

헨드릭과 그의 미망인 아말리아 솜스의 알레고리

by Govert Flinck(플링크)

 

 

 

 

 

Chapel by a waterfall/폭포 근처의 채플, c.1670

by Jacob van Ruisdael (반 루이스댈: Haarlem 1628-1682 Amsterdam)

 

 

 

 

 

Argus, Mercurius and Io/아르구스, 메르쿠리우스와 이오, c.1630-1640?

by Jacob van Campen(캄펜: Haarlem 1596-1657)

 

Unfaithful Jupiter was looking for a way to keep his affair with Io secret from his wife Juno,

so he turns Io into a beautiful white cow.  But sly Juno asks for the cow as a gift and appoints

Argus to watch over the animal.  In reply, Jupiter calls in Mercury, who plays his pipe

to lull Augus to sleep before cutting off his head.

 

 

 

 

 

 

Banquet Still Life/, after 1655

by Abraham van Beyeren (반 바이예른: The Hague 1620-1690 Overschie)

 

 

 

 

 

The adoration of the Magi/아기 예수를 경배하는 동방박사, c.1650

by Salomon Koninck(콘닌크: Amsterdam 1609-1656 Amsterdam)

 

 

 

 

 

Portrait of a Young Woman/젊은 여인의 초상화,  c. 1620- 1630

by Peter Paul Rubens (루벤스: Siegen 1577-1640 Antwerpen)

 

This is one of two portraits by Rubens that hang in the Gallery.  This  woman with 

her warm, loving expression was long believed to be Rubens' first wife, Isaabella Brant.

The second portrait was thought to show his second wife, Helene Fourment.

Althrough Rubes chieftly painted people from his immediate surroundings, 

whether these two portrais actually depic his wives is unknown.

 

 

 

 

 

Italian Landscape with the Aurelian Wall, c. 1650-1660

아우렐리언 성벽이 있는 이탈리아 풍경화

by Bartholomeus Breenbergh(브렌베르흐: Deventer 1598-1657 Amsterdam)

 

 

 

 

 

 

 

 

 

Calvalry Engagement/기마병 활약, 1631

by Pieter Post (포스트: Haarlem 1608-1669 The Hague)

 

 

 

 

 

Attack on an Army Train/공격당한 군대, 1631

by Pieter Post (포스트: Haarlem 1608-1669)

 

 

 

 

 

 

 

 

 

Family Portrait, c.1665/가족 초상화

by Gillis van Tilborch(반 틸보르흐)

 

 

 

 

 

 

 

 

 

 

 

 

 

The Hay Wagon/건초 수레, c. 1650

by Philips Wouwerman(부베르만: Haarlem 1619-1668 Haarlem)

 

 

 

 

 

Landscape with Shepherds, 1626/목동이 있는 풍경화

by Moyses van Wtenbrouck (반 비튼부루크: The Hague c. 1590-c. 1647 The Hague)

 

 

 

 

 

Merry Company in a Brothel, c. 1640-1657/매춘굴에서 친한 친구와 함께

by Hendrick Pot(포트: Haarlem c. 1585 - 1657 Amsterdam)

 

 

 

 

 

Still Life with Huntsman/사냥꾼과 정물화, c. 1615

by Frans Snijders(스나이더스: 1579 - 1657 Antwerp)

 

With the rest of his bounty already displayed on the table, a huntsman enters with a hare.

Flemish artist Frans Snijders specialised in painting animals, dead or alive. Typical of

Snijders is the playful cat that has set his sights on the hanging head of the dead turkey.

 

 

 

 

 

Deer Hunt/사슴 사냥, 17th century (위)/사슴 사냥

by Paul de Vos(데 보스: Hulst 1959 -  1678 Antwerp)

 

 

 

 

 

Nymph Filling the Horn of Plenty, c. 1615/풍요의 고뿔을 채우는 님프

by Jan Brueghel I(얀 브루헬: Brussels 1568-1625 Antwerp)

 

 

 

 

 

Ballroom Scene at a Court in Brussels, c.1610/브러셀 왕궁의 연회장 씬

by Frans Francken II( 프랑큰  II: Antwerp 1581 - 1642 Antwerp)

 

At the court in Brussels, Archdukes Albert and Isbella of Autria are giving a ball.

The couple ruled over the Spanish Netherlands on behalf of Isabella's father, the Spanish king

Philip II.  One of the guests is Philip William, Prince of Orange, the eldest son os William the Silent

and Anna van Buren.  Together with his wife, he dances a chivalrous court dance

 

 

 

 

 

Mountainous Landscape with Waterfall, 1660s/폭포가 있는 산 풍경화 (위)

by Adam Pijnacker(아담 파이나커: Schiedam 1620-22-1672 Amsterdam)

 

 

 

 

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